 |
|
|
|
|
| Details |
|
“Nature unleashes a gale force voice!”
states the New York Times describing Kevin Mahogany, the man with the
golden-throated baritone. A fitting image to accompany Mahogany’s
first-ever big band album. After a three year hiatus from the recording
scene, Mahogany, whom Newsweek has dubbed as “the standout jazz
vocalist of his generation” returns with a recording that showcases
his talents for power, grace and unparalleled scatting ability. Big Band includes ten selections featuring Mahogany fronting a variety of large groups. Mahogany jousts with songs both familiar and obscure, throwing the gauntlet down to any contenders for the jazz vocal crown. If you love jazz vocals—the album is a definite keeper; if you love jazz vocals powered by big bands—this disc is manna from heaven. Big Band is sure to be remembered when Grammy® time and year-end bests come around. Expect an ongoing presence as Mahogany does what he does best: taking the music to the people, live on stage. Big Band also represents another first: it’s the debut release for Kevin’s own Mahogany Jazz imprint, a label which will empower artists. In addition to his active touring schedule, Mahogany is also an educator, currently on staff at the University of Miami. The man knows how to talk to people and is an excellent ambassador for his art and the art of jazz. |
| Bio |
|
When Kevin Mahogany cut his first records in the early and mid-‘90s,
he was generally regarded as a welcome anomaly: a young male jazz vocalist
in a field where most of his colleagues were either women, or men over
60. With a voice reminiscent of the late Joe Williams, Mahogany has since
established himself as a leader and an innovator in vocal jazz—for
either gender and for any generation. Born in 1958 in Kansas City, Missouri, Mahogany grew up with the sound of Memphis and Motown as well as the ever-evolving rock and roll in the turbulent ‘60s. He studied clarinet, piano and became an accomplished baritone saxophonist, performing with Eddie Baker’s New Breed Orchestra while still in high school. His interest in singing began as a child, and continued to develop. His first organized singing was in church during his senior year in high school. At the same time, Kevin was very attracted to singers such as Lambert, Hendricks and Ross, and Eddie Jefferson. He attended Baker University in Kansas, where the industrious Mahogany founded a jazz choir. He entered the school in 1976 and graduated with a BFA in Music, English and Drama in 1981. After college, Mahogany joined a ‘60s R&B horn band, then went on to create a group called The Apollos, playing mostly R&B and Motown. After that, he formed Mahogany, an outfit that specialized in R&B, Motown, soul and contemporary jazz. Kevin recorded four well-received albums on Enja, the independent German label, before landing at Warner Brothers in 1995. His self-titled Warner debut in 1996 garnered critical acclaim from Newsweek which described him as "the standout jazz vocalist of his generation." Esteemed writer Whitney Balliet declared in The New Yorker, "there is little Mahogany cannot do," while the Los Angeles Times called him "one of the first truly gifted male vocalists to emerge in years." The album also earned excellent reviews including four stars from USA Today. That same year, Mahogany appeared in the Robert Altman film Kansas City, where he portrayed a character inspired by Big Joe Turner. The auspicious Warner debut sparked high demand for the Mahogany touch on projects other than his own. He appeared on the 1997 Malpaso release Eastwood After Hours, a Clint Eastwood ensemble project performed and recorded live at Carnegie Hall. That same year, he made a guest appearance on Monk On Monk, T.S. Monk’s tribute to his father. After three more successful albums on Warner (Another Time, Another Place in 1997, My Romance in 1998 and Portrait of Kevin Mahogany in 2000), Mahogany moves to the Telarc label in the summer of 2002 for the release of Pride & Joy, a jazzy set of extraordinarily distinctive takes on Motown classics. |
| Reviews |
| www.billboard.com |
| Extras |
